The album received a mixed reception by music critics, many of whom praised the production but were divided upon Houston's vocal performance. Upon its release, One Wish debuted at number 49 on the US Billboard 200, and at number 13 on Billboard's Top R&B/Hip-Hop Albums chart. Its first and only single, a rendition of Freddie Jackson's "One Wish (for Christmas)", reached the top twenty on Billboard's US Adult Contemporary chart. In January 2018, the album was certified Gold by the Recording Industry Association of America (RIAA) for shipments figures of over 500,000 copies.[1]
New York Daily News editor David Hinckley felt that One Wish "reminds us why we liked her so much in the first place: her voice, for which holiday songs are a splendid vehicle." He noted "there's some elaborate production behind songs like "Joy to the World" and "O Come, O Come Emanuel," but also a stocking-full of lovely singing."[10]AllMusic editor Stephen Thomas Erlewine remarked that "holiday records are the last place anybody would want to take a risk, since they're designed to be nice, pleasant mood music and, apart from a rather horrid version of "Little Drummer Boy" [..] this suits the bill nicely. The clean, pristine production, heavy on synths, sounds as if it was cut in the late '80s, yet it's also strangely spare, often being no more than a synth and a drum machine. Still, it's a sound that's well suited for Whitney and her thoroughly predictable set of material."[7]Moscow-Pullman Daily News wrote that Houston's "voice [...] dazzles on [the album] [...] as she soulfully interprets holiday classics. Her voice – though at times a bit raspy – captivates on every track."[11]New York Times critic Jones Pareles noted the "lavish swoops, the sultry whispers, the gospelly asides and the meteoric crescendos" from Houston.[12]
Richard Harrington from The Washington Post found that the "album feels like a contractual obligation-slash-holding action" and was "not particularly memorable."[13] Caroline Sullivan, writing for The Guardian, noted that "stuff like this is so piddling for her that [Houston] seems to have zoned out halfway through. Why put any elbow grease into the "project" when all she need do is set her larynx to "reverent," then doze off? Saying that, she gives "Have Yourself a Merry Little Christmas" some a cappella welly, and the cocktail doo-wop of "O Come, O Come, Emmanuel" is quite irresistible. Still, this is the Voice at its numbest."[14]Slant critic Sal Cinquemani found that "one can't help but think that One Wish: The Holiday Album is nothing more than damage control [...] Houston's voice just isn’t what it used to be – she warbles her way through an otherwise understated version of the contemporary classic [...] and sings 'Tiny little tots with their eyes all aglow/Will find it hard to sleep tonight' on Mel Tormé's "The Christmas Song" like she wants to eat them."[9]Rolling Stone described the album as a "lamentable Christmas collection."[15] In 2014, Los Angeles Times critic Randy Lewis included One Wish on his listing of the "12 of the worst holiday albums of the last 20 years." He noted that "for this set, Houston seemed intent on shoehorning more notes into each syllable than Mariah Carey, resulting in an orgy of melismatics that often obliterates the spirit of these holiday tunes."[16]
One Wish: The Holiday Album debuted and peaked at number 49 on the US Billboard 200. It marked Houston's lowest chart opening up to then and was a considerable decline from her previous effort Just Whitney (2002), which had debuted at number nine the year before.[17] On Billboard's component charts, it reached number 13 on Billboard's Top R&B/Hip-Hop Albums, becoming her first album to miss the top ten, as well as number five on the Top Holiday Albums chart.[18] In January 2018, One Wish was certified Gold by the Recording Industry Association of America (RIAA) for domestic shipments figures in excess of 500,000 units.[1]
